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No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Copyright 2012 by the Regents of the University of Minnesota All rights reserved. The Minnesota Declaration copyright by Werner Herzog. Part of chapter 5 was previously published as “The Case of Herzog: Re-opened,” in A Companion to Werner Herzog, ed. 2 (2009): 49–69 copyright 2009 by the University of Texas Press all rights reserved. A portion of chapter 2 was previously published as “Herzog, Landscape, and Documentary,” Cinema Journal 48, no.
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The University of Minnesota Press gratefully acknowledges financial assistance provided for the publication of this book from the Department of Germanics, University of Washington. University of Minnesota Press Minneapolis JAPANESE DOCUMENTARY FILM: THE MEIJI ERA THROUGH HIROSHIMAįEROCIOUS REALITY Documentary according to Werner Herzog ERIC AMES Visible Evidence 27 SHIMMERING SCREENS: MAKING MEDIA IN AN ABORIGINAL COMMUNITYįOREST OF PRESSURE: OGAWA SHINSUKE AND POSTWAR JAPANESE DOCUMENTARYį IS FOR PHONY: FAKE DOCUMENTARY AND TRUTH’S UNDOINGĪlexandra Juhasz and Jesse Lerner, Editors 16
THE RIGHT TO PLAY ONESELF: LOOKING BACK ON DOCUMENTARY FILMĬIRCUITS OF CULTURE: MEDIA, POLITICS, AND INDIGENOUS IDENTITY IN THE ANDES
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VISIBLE EVIDENCE Michael Renov, Faye Ginsburg, and Jane Gaines, Series Editors 27įEROCIOUS REALITY: DOCUMENTARY ACCORDING TO WERNER HERZOGĬREATING THE WITNESS: GENOCIDE IN THE AGE OF FILM, VIDEO, AND THE INTERNETĬINEMA’S ALCHEMIST: THE FILMS OF PÉTER FORGÁCSīill Nichols and Michael Renov, Editors 24 Introduction: Werner Herzog, Documentary Outsider